ENGL 810: PAB #5: Robin Tolmach Lakoff “Language and Woman’s Place”

Lakoff, Robin Tolmach. “Language and Woman’s Place.” Language and Women’s Place: Text and Commentaries, ed. Mary Bucholtz. Oxford UP, 2004, pp. 39-75.

Nonverbal Communication: Women vs Men -Verbalist

Nonverbal Communication: Women vs Men -Verbalist

I first read Lakoff under the impression that the piece was written in 2004, but upon reading her description of the word “groovy,” further investigation revealed that it was, in fact, originally written in 1973. Later, she mentions President Nixon and other famous figures from the 1970s. Lakoff’s “Language and Women’s Place” from Stanford.edu.

The struggle with her older scholarship is that Lakoff makes statements, which were likely innocuous in 1973, that today seem somewhat misguided in light of forward progress for women. However, Lakoff’s discussion of women’s language in terms of linguistics still reveals information that is true today, and she points directly to parts of speech in which the content has changed since the 1970s but these locations still may contain artifacts of the original syntactical patterns she discusses.

Her primary argument is that women use language differently than men do, that women tend to equivocate and men tend to be more assertive, and societal expectations reinforce this dichotomy. The linguistic approach to the evaluation of language holds much promise in my field as New Criticism seems to be falling out of favor, linguistic approaches would approximate New Criticism’s theoretical approach and should provide similar results.

Lakoff says, “we can use our linguistic behavior as a diagnostic of our hidden feelings about things” (39), and my interest in a poet’s hidden feelings about women. Lakoff’s discussion about the differences between the adjectives that men and women use is insightful. She provides a few examples of specificity when considering women’s adjectives as opposed to men’s more general descriptions.

See “Linguistics shows that being a single guy has gotten better and being a single woman has gotten worse” by Kate Bolick

Lakoff’s position is “women experience linguistic discrimination in two ways”: how women learn to speak and in the subtleties of language that describe them (39). In her discussion of the use of “lady” and “girl” she makes an excellent point about tagging professions with “women” when there is no equivalent “man” tag, for example, “woman doctor” (54).

When considering a linguistic theoretical approach and using Lakoff’s observations, examining how frequently women use “utterances” and the purposes and conditions of those utterances in poetry may yield fruitful information about differences in first, how women differ from men in their speech, and second, how women are defined differently from men (or perhaps more specifically, how the feminine is distinct from masculine).

Lakoff also considers the ways in which women are represented in language. The connotations of words used in connection with women show that some words have “a special meaning that, by implication rather than outright assertion, is derogatory to women as a group” (51). She says the use of euphemisms for women, in particular, the use of “lady,” and she discusses “girl” in the same context, are used to establish or reinforce a code which expects women to be “non-sexual” (55). She points to the word “woman” as being overtly sexual, and often terms applied innocuously to men, are overtly sexual when applied to women (54).

Men's vs Women's Language
Can you spot language that's historically associated with men vs women?
Men's vs Women's Words

Men’s vs Women’s Words -Popular Science

ENGL 810: PAB #2: Christa Knellwolf: “The History of Feminist Criticism”

Christa Knellwolf King

Christa Knellwolf King

Knellwolf, Christa. “The History of Feminist Criticism.” Twentieth-Century Historical, Philosophical and Psychological Perspectives edited by Christa Knellwolf and Christopher Norris. The Cambridge History of Literary Criticism Vol. 9. Cambridge UP, 2007, pp. 193-205. Cambridge Histories Online.

Knellwolf’s article is a good starting place to get an overall sense of the history of feminism and an early idea about feminist theory, and since my background has been creative writing, which incorporates creative writing theory, it’s a good place for me to begin.

Knellwolf’s history begins at the origin of the word feminism in the 1890s, and she characterizes it as “a significant historical moment when there was an urgent need to name the activities of the women’s movement” and makes clear at the outset there exists an “insidious power of literature to propagate views about women’s inferiority” (193). From there, she provides an historical account of the progression of feminism including first and second wave feminism, feminist theory, women’s writing, and feminist literary theory. Knellwolf discusses some of the major figures leading up to feminism and many of the major feminist figures such as Virginia Woolf, Simone de Beauvoir, Betty Friedman, Kate Millett, Sandra Gilbert, and Susan Gubar. Much of the article is focused on the feminists’ efforts to gain equality and concerns about misogyny and the patriarchal structure of society which is so entrenched that “women’s inferiority is ingrained at the very structural levels of syntax and grammar” (201).

While Knellwolf covers the rise French feminism and points out “they alienated women who felt that this position, the French feminist embrace of the language of irrationality and the concept of difference, was a stab in the back to the longstanding struggle to have women’s rationality recognised” (200), she minimizes some of the historical struggle within and opposition to feminism, particularly those struggles toward the end of second wave feminism, like the rise of men’s rights groups and anti-feminist efforts of Phyllis Schlafly, that produced the kind of feminism we see today which is more inclusive of men, and she doesn’t quite bring us to the present 2007 moment. And notably absent is male reaction, including their reaction to changes in the literary canon, to this seemingly seismic shift in women’s demands for equality and freedom. She does point out that Audre Lorde, concerned that the focus of feminist effort was on white women, “wrote an open letter to Mary Daly, criticising her for patronising black women and reducing them to the role of powerless victims” (202), and she does mention “the attempt by mainstream feminists to ignore lesbians” (203). However, in the instances where she indicates strife within feminism the struggle is minimized. Based on the nature of Cambridge histories, this is unsurprising; however, at the conclusion of her history, she suddenly and awkwardly becomes a champion of feminism and includes a plea:

“While feminism needs to pay attention to the diversity between women world-wide, it also needs to respond to a situation in which fundamentalist governments, for instance, seek to remove women from education or to restrict them to jobs of low esteem. An immediate engagement with such issue may create a solidarity which enables women to speak out against oppression” (205).

That aside, Knellwood convers a lot of ground in such a short article, and she covers some of her topics in more depth, like Gilbert and Gubar’s The Madwoman in the Attic, French feminism, and gender identification, among others.

Modern Feminism: A Women's Rights Timeline of Events from flickr

Modern Feminism: A Women’s Rights Timeline of Events

Cavallaro, Dani. French Feminist Theory. London; New York: Continuum, 2003. WordPress. https://caringlabor.files.wordpress.com/2012/09/french-feminist-theory-dani-cavallaro.pdf. Accessed Sept. 2016.

“Christa Knellwolf King.” LinkedIn. https://www.linkedin.com/in/christa-knellwolf-king-972a19122. Accessed Sept. 2016.

“Modern Feminism: A Women’s Rights Timeline of Events” flickr. http://farm4.static.flickr.com/3226/2999672841_c96548854b_o.jpg. Accessed Sept. 2016.

“Phyllis Schlafly (1924-).” National Women’s History Museumhttps://www.nwhm.org/education-resources/biography/biographies/phyllis-schlafly. Accessed Sept. 2016.